另類的愛情故事，肢體糾結(jié)的情色語(yǔ)6080yy。1957年，原納粹軍官M(fèi)ax（Dirk Bogarde 飾）隱姓埋名，在維也納一家酒店當(dāng)午夜守門人。某日，他遇到著名指揮家的妻子Lucia（Charlotte Rampling 飾），往事排山倒海而來(lái)。原來(lái)，Lucia是納粹集中營(yíng)的幸存者，當(dāng)年是Max的性奴，也是他的情人，Max對(duì)她一直念念不忘。Max趁Lucia外出演出，和Lucia重逢，隨即將她接到了自己的公寓，二人迅速恢復(fù)了往日的關(guān)系。于此同時(shí)，Max所屬納粹余孽小團(tuán)體也在尋找Lucia，想除掉這個(gè)有力的證人，Lucia的丈夫也因?yàn)槠拮邮й櫠鴪?bào)警。Max走投無(wú)路，只能囤積了大量食品在公寓里，和Lucia足不出戶，靠性愛彼此安慰，忘記現(xiàn)實(shí)的困境，等待終將來(lái)臨的救贖或者毀滅。

歐戰(zhàn)尾聲，盟軍上下逐漸彌漫著樂(lè)觀的情策馳影院。為了提前結(jié)束戰(zhàn)爭(zhēng)，各地盟軍將領(lǐng)認(rèn)為只要一番猛攻，便可提早直搗柏林結(jié)束戰(zhàn)爭(zhēng)。

策馳影院The stuffy medical director of a big-city hospital and his nemesis, a cheeky young intern, finally come to a subject they can both agree on: they're having romantic problems. The director has fallen in love and isn't quite sure how to handle it, and the young doctor is pursuing a beautiful model who apparently doesn't reciprocate his affections.

In a confused welter of artistic licence, this is the classical music biopic which makes 'Song to Remember'look like a masterpiece. Bogarde succeeds in diminishing the reputation of the musical colossus who spanned European music for most of the 19th Century. The absurdities of the plot, the sequoia-like quality of the acting and the prevalence of historical,musical and linguistic anachronisms combine to elevate this offering to the status of an A1 turkey.How a pianist of the stature of Bolet came to be mixed up in this fiasco can only be guessed at. The characterisation of Liszt fails to convey even a minute impression of his magnetic personality and the overwhelming effect that he had on not only his audiences, but also his pianistic rivals.Clara Schumann herself said that 'we toil over that which Liszt reads at sigh電影天堂!' Whilst the emphasis seems to focus on his romantic prowess,rather than his status as the greatest pianist of the century or,arguably, of all time, one feels,nevertheless, that this was an opportunity lost.

剛剛搬到倫敦的托尼（詹姆斯·福克斯 James Fox 飾）雇傭了名為巴雷特（德克·博加德 Dirk Bogarde 飾）的男子作為家中的仆人，將家里上下大大小小的一切事物交給他打理，聰明肯干的巴雷特沒有讓托尼失望，很快便獲得了主人的信80s電影。　　托尼的女友蘇珊（溫蒂·克雷格 Wendy Craig 飾）并不喜歡巴雷特，因?yàn)樗[約察覺到，托尼和巴雷特的妹妹薇拉（莎拉·米爾斯 Sarah Miles 飾）之間有著說(shuō)不清道不明的曖昧關(guān)系。之后，托尼震驚的發(fā)現(xiàn)原來(lái)薇拉系巴雷特的情人，深感受到欺騙的托尼解雇了巴雷特。一次偶然中，托尼和巴雷特在一間小酒館重逢了，他們重新建立了主仆關(guān)系，但這表面平和的關(guān)系里實(shí)則充滿了刀光劍影。

最新電視劇Unemployed Czech-speaking writer Nicholas Whistler thinks he's got a job visiting Prague for a bit of industrial espionage. In fact he is now in the employ of British Intelligence. His pretty chauffeuse on arrival behind the Iron Curtain, Comrade Simonova, is herself a Czech agent. Just as well she's immediately attracted to 007's unwitting replacement.

8090電影網(wǎng)The direction of The Sleeping Tiger was credited to Victor Hanbury, but this was actually a pseudonym for the blacklisted Joseph Losey, whose first British film this was. Alexander Knox stars as psychiatrist Clive Esmond, who believes that he can stem the criminal tendencies of young fugitive from justice Frank Clements (Dirk Bogarde). To this end, Esmond hides Clements in his own home. At first hostile towards the handsome crook, Esmond's wife Glenda (Alexis Smith) gradually warms up to her house guest, and before long she and Clements are casting lustful glances at one another. She intends to run off with Clements and make a new life for herself, when suddenly he decides that he actually wants to reform. If nothing else, The Sleeping Tiger is a fascinating precursor to the sexual tensions prevalent in Losey's later Harold Pinter adaptations. ~ Hal Erickson, Rovi

史蒂芬（德克·博加德 Dirk Bogarde 飾）出生在一個(gè)非常普通的家庭之中，憑借著自己的智慧和能力，他不斷的向上爬，并且最終成為了英國(guó)牛津大學(xué)的教授，可以這么說(shuō)，史蒂芬現(xiàn)在所擁有的一切，都是他一點(diǎn)一點(diǎn)親手為自己掙來(lái)8090電影網(wǎng)。一次偶然中，史蒂芬撞見了自己的同事查理（斯坦利·貝克 Stanley Baker 飾）和一個(gè)名叫安娜（雅克利娜·薩薩爾 Jacqueline Sassard 飾）的女生之間的私情。　　安娜的身份十分的尊貴，是一國(guó)之公主，并且已經(jīng)有了未婚夫威廉（麥克爾·約克 Michael York 飾）。一場(chǎng)車禍中，威廉不幸去世，史蒂芬救了安娜一命，出于報(bào)復(fù)的心理，他強(qiáng)行占有了安娜。

1911年，德國(guó)作曲家阿森巴赫（德克?博加德）懷帶喪女之痛來(lái)到威尼斯，想藉水城美景舒緩心情，可是一切景致所勾起的不過(guò)是更加傷心的回憶，直到在旅館里邂逅美少年塔奇奧（伯恩?安德森），對(duì)方宛如希臘雕像般的容顏才令他渾身顫栗，渾然忘我地沉醉在激動(dòng)的熱情8090電影。　　其后，威尼斯城被瘟疫所籠罩，但官方刻意封鎖了消息。阿森巴赫逐漸發(fā)現(xiàn)這一驚人的危機(jī)時(shí)，沒像其他人一樣慌不擇路想盡快逃離，相反為了多看塔奇奧一眼，甘愿染上瘟疫命喪威尼斯。

同志電影史最重要的作品之一，它不只是第一部直接道出‘同性戀’字眼的英語(yǔ)片，更勇于碰觸性取向成為被抹黑、勒索和恐懼的社會(huì)現(xiàn)80s電影。在同志電影多如過(guò)江之鯽的今日，它的直陳無(wú)礙更顯難得。英國(guó)紅星狄鮑嘉也在突破形象后，日后毫無(wú)忌憚地演出維斯康堤、法斯賓達(dá)的電影。當(dāng)年囿于英國(guó)電檢而消失的十分鐘，也將以全新數(shù)位修復(fù)拷貝，忠實(shí)重現(xiàn)。